From Cinema to DJing: Patricia Olomajeye's Diverse Journey in Beijing

      Recently, I've been on a quest to highlight more remarkable female residents of Beijing because I believe there are plenty of fascinating women in the city. I can assure you, dear reader, that if you seek, you will discover. While I aim to gradually profile women from various fields, today’s focus is on cinema and music, specifically Patricia Olomajeye, who also goes by the artistic name Cleopatri.

      Originally from Las Palmas de Gran Canaria, she balances her film studies at the esteemed Beijing Film Academy with her emerging career as a DJ. I first encountered her at a recent event at Migas Mercado, which showcased an all-female lineup of European DJs. She has a documentary set to be released in May, which is likely just one of many thrilling projects ahead of her. We met at Zarah for a drink, where we discussed pursuing aspirations, embracing the unexpected, and coping with the fast-paced life in Beijing. You certainly don’t want to overlook this interview.

      Hi, Patricia! Shall we begin with an introduction? Sure! I’ve been in Beijing for a year and a half, studying for my bachelor’s degree at the Beijing Film Academy, located in the heart of Nanluoguxiang. I’m part of a small, international group studying film, and I look forward to spending the next few years in this city, finding my rhythm day by day, connecting with incredible individuals, and exploring my interests in exciting and unforeseen ways.

      I first encountered you as a DJ, so I was quite surprised to learn that you’re involved in cinema. Can you elaborate on that? Absolutely! In terms of cinema, I’ve uncovered a wealth of artistic opportunities through the unique blend of my Spanish heritage and the practical methods of film production. While poets typically express themselves with a pen and paper, I channel my perspective of the world through a camera. My work often explores the gaps between cultures, as well as what we vocalize and suppress regarding these gaps. I frequently incorporate an element of shock to encourage the audience to engage in ongoing reflection and draw their own insights. Film seems like a fitting medium for this type of investigation.

      Can you share more about the aesthetics and influences that inspire you? Though my family moved to the Canary Islands during my early childhood, I was born in Valencia, Spain. Therefore, I owe many of my earliest, most vivid memories to the brief time spent in Ruzafa, just south of the historic city center and part of the Ensanche district in Valencia. When I close my eyes, I recall everything vividly: our block with its colorful floors and long, dark hallways, along with the details of our home. I envision the American flag hanging next to our large television and hear the bachata music that alternated with the extensive music collection on our bookshelves. My father, of African descent, had a profound yet subtle influence on my life. Sundays were dedicated to church, a mosaic of dark faces framed by white lace. Worship was accompanied by vibrant gospel music and catchy pop tunes, often followed by a flavorful meal of spiced rice. I was indeed encircled by this rich tapestry of aesthetics, image, and sound from a young age.

      Movies were an essential part of my upbringing as well. The very first ones I watched were the ever-popular Disney VHS tapes, featuring childhood classics from the '30s to the '80s. What struck me was that many of these films were quite minimal in dialogue and leaned heavily on classical music for narrative depth.

      You were also inspired by Tim Burton, correct? Yes, his films resonated with me during my childhood and early youth. Burton’s characters are authentic romantic outsiders, reflecting a genuine quality. I sought my own authenticity, which I discovered in experimental cinema. Now, as a filmmaker, I aim to foster a connection with the audience, encouraging them to experience a film rather than merely watch it. As a creator, I strive to bridge the audience to my interpretation of the world. It possesses a certain intimacy and becomes a therapeutic expression. You reveal your inner self, ultimately giving birth to a piece of art that is uniquely yours.

      How did you take your initial steps in this direction? My first cast consisted of Playmobil figurines! My grandma was a bit skeptical, but I pursued my vision; I borrowed her purple Nokia C and recorded for hours to create a 15-minute film. There were no edits – the pause button was incredibly useful, and I dedicated myself to making these little films. Innocence is a beautiful trait that can be carried into the next chapter of our lives if we choose to, and I have definitely retained that unquenchable desire to experiment and create.

      After graduating from high school, my family moved from Mallorca to Las Palmas. It was time for me to start university, and since I was certain I wanted to study film, I enrolled at the Canary Islands Film Institute. My freshman year passed, and before long, I realized

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